导演：
Radványi Géza
主演：
Artúr Somlay Miklós Gábor Zsuzsa Bánki
状态：
已完结
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the street...展开s, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.收起
6.2
HD中英
泰莉莎·帕尔墨 马克思·雷迈特 马蒂亚斯·哈比希 艾玛·巴丁 艾尔迈拉·拜赫尔米 克里斯托夫·弗兰肯 露西·阿伦 纳西姆·阿瓦特 马琳·斯特芬 图索·勒克维 拉拉·玛丽·缪勒 玛雅·阿布斯贝格
澳大利亚摄影记者克莱尔（泰莉莎·帕尔墨 Teresa Palmer 饰）在柏林度假时邂逅了当地男子安迪（马克思·雷迈特 Max Riemelt 饰），一见钟情的两人共度春宵，
HD中字
卡维亚萨帕尔 文涅拉·基肖尔
当恐怖分子以目击暗杀的年轻女孩为目标时,一位英勇的出租车司机前来营救。我开始看这部电影BCOZ仍然很少有希望看到一部更好的电影,但这部电影有不必要的歌曲,不必要的喜剧,不必要的增加所有喜剧演员的天赋浪
6.6
HD中字版
Matthew James Morrison Alexis Koutsoulis
Harry has been partying for 48 hours when he meets Johannes on the dance floor of a club in Berlin
5.6
HD中字版
Dominic Marcus Singer Jack Hofer Birgit Linauer 安德烈·鲁斯特 Simon Morzé 马库斯·施莱泽 Christopher Schärf David Wurawa Rainer Wöss
Julian, a 14-year old teenager, dies surrounded by the colorful products of a huge supermarket. Th
HD中字版
内详
Ren is on the hunt for romance, but in a world of tinder and zero commitment, getting lucky has ne
6.3
HD中字版
Christina Plate 奥古斯特·施梅尔泽 让·索斯尼科 埃尔菲·埃施克 Maximilian Krückl Susanna Knechtl 迈克尔·罗尔 Fritz Egger Peter Mitterrutzner Ludwig Dornauer Stefan Matousch Martin Walch Christian Spatzek
6.4
HD中字版
查拉尔·厄图鲁 乌富克·巴伊拉克塔尔 发拉特·多格如罗格鲁 梅苏特·阿库斯塔 辛格兹·寇斯坎 阿里·阿克索兹
一个由四人组成的团队从总部派往维修一个通讯站，突然在一座山的山峰上遭遇了恐怖袭击。两个被征召的土耳其士兵，一个受过教育，富有的年轻人，另一个粗鲁的街头聪明的恶棍，不得不抛开他们的分歧，学会相互信任
HD中字版
史蒂芬·鲍德温 加布里埃尔·伯恩 本尼西奥·德尔·托罗 凯文·波拉克 凯文·史派西 查兹·帕尔明特瑞 皮特·波斯尔思韦特 苏茜·爱米斯 吉安卡罗·埃斯波西托 丹·哈达亚 保罗·巴特尔 卡尔·布瑞斯勒 菲力浦·西蒙 杰克·希勒 克里斯汀·艾斯布鲁克
美国加州的圣佩雷罗港一艘货轮爆炸，死亡27人，9000万美元失踪。事故发生以后，联邦调查局探员白基奇在医院等待昏迷不醒的幸存者；海关特派员大卫（查兹•帕明特里 饰）则对另外一名拿到特赦令的幸存者金
已完结
图林·奥曾 Budak Akalin Musa Karagöz
莱娜在父亲的阴影下每天过著地狱般的生活，她唯一来往的对象是旅馆同事穆法塔斯，莱娜从未答应但也没拒绝他的追求，痛苦的莱娜只想挣脱生活中的恶性循环；在城市的另一端，有位技师正为他刚过世的妻子哀伤，一只